*Robert Stroud, The Birdman of Alcatraz*
*Digital Painting*
*Proportions: 27 x 17 cm*
*2021*
*Collection: The Relentless*
*Intervened prints*
*Visit my ART SHOP*
*Post*

As we may know, Robert Franklin Stroud (1890-1963, US), alias “The Birdman of Alcatraz”, was a convicted criminal. He served his time in the fearsome prison, Alcatraz. He was a singular man, with great contrats. These dicothomies prompted me to make this work. Tragedy marked his life. — *Robert Stroud, “The Birdman of Alcatraz” 2*
*Digital Painting*
*2021*
*Collection: The Relentless*

*Study of an Unknown Inmate 8*
*Oil, crayon on paper*
*48.3 x 61 x 0.1 cm*
*2021*
*Collection: The Relentless*

My interests as an artist include the exploration of eccentric topics, such as this artwork which is based on an US inmate’s mugshot, Walter Turpin (1877-?). In this work, I wanted to portray his turbulent life. — *Head Study 28*
*Oil on paper*
*24 x 32 x 0.1 cm*
*2018*
*Collection: Portraits*
*Post*

I based this artwork on a caption picture taken from a true crime video documentary. This with respect for the implicated people in the case. — *Crime Scene 5*
*Digital Painting*
*2020*
*Collection: The Relentless*
*Video & Post*

Inmate #12
Digital Painting
Proportion: 27 x 21.5 cm
2021
Collection: The Relentless
Video

The turbulent life of the character and his tragic gesture were the elements that provoked me to make up this artwork — *Study of an Inmate. Clarence V. Carnes*
*Digital Painting*
*2021*
*Collection: The Relentless*

I based the work on a true crime documentary where the character had homicidal impulses. As in other artworks, the painting circumscribes, in a close-up format, the deformed face of the inmate. I do the latter to exalt his emotional disturbance. — *Head Study 35*
*Oil on paper*
*28 x 33 x 0.1 cm*
*2017*
*Collection: The Relentless*
*Post*

Drama is a topic in my art imagination. I created the collection “The Relentless”, where, besides painting criminals, I also include the manhunters, who are the professionals who pursue these outlaws. I think they too, are relentless. So, those who fight “monsters” are also part of this collection. I believe their work causes to them profound harm. They become as injured as those they pursue, only different. — *The Persecutor 3*
*Digital Painting*
*45 x 26.7 x 0.1 cm*
*2021*
*Series: The Relentless*

The artwork portraits a turbulent inmate with a long crime history. One topic that calls my interest as an artist is the drama I read on the faces in mugshots. In this case, the fierceful gesture of the character provoked me to make up the two-pieces artwork in a unit. By doing so, I search to create a “speech”, a certain interaction between both works. My work is not an apology to crime. It’s my interpretation of a phenomenon. To see more images of the artwork head over to https://www.instagram.com/p/CQfgMfuH6Rm/ — *Inmate No. 7*
*Artwork: Oil, acrylic on canvas, Size: 31.5 (W) x 23.6 (H) x 0.1 in*
*Sculpture (head): Plasticine, plaster, cement, acrylic paint, Size: 4.7 (W) x 9.8 (H) x 9.8 (Depth), 8.8 pounds*
*2021*
*Collection:The Relentless. A Thousand Crimes*
*More images*

Inmate #8
Digital Painting
2021
Collection: The Relentless

One topic that calls my interest as an artist is the drama you see in the faces of the people in mugshots. I stop to reflex upon their lives and motivations that made them take their choices that affected their lives and the lives of the others that crossed their paths with. This mugshot called my attention because of the tragic expression of the man. — *Study of an Unknown Inmate 5*
*Ink on paper*
*24 x 32 x 0.1 cm*
*2019*
*Collection: “The Relentless”*

Title: Study Head 4 Media: Oil and ink on paper Size: 24 x 32 x 0.1 cm Year: 2018 — *Study of an Anonymous Inmate 35*
*Ink on paper*
*24 x 32 x 0.1 cm*
*2005*
*Collection:The Relentless*

Inmate #35074
Ink on paper
42 x 26 x 0.1 cm
2022
Collection:The Relentless
Art process
Original painting or intervened prints
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The Relentless

Welcome to my Art and True Crime series, The Relentless (visit my YouTube channel any time), where I sculpt and paint portraits of offenders… and talk about some facts of their bio.

I dedicate this work to the victims of these perpetrators and to the multidisciplinary team that pursues these offenders.

As a creator, one thing that calls my attention is the man and its precarious conditions. So, sickness, pathological behavior, forensics… are some topics I explore. I picture people that have social malfunctions and disorders which drive them to commit crime. The tragedy of their lives and the paths in which they have crossed in the lives of others are the impulsive elements that compel me to create this series.

As I've said, I also included in this collection–the manhunters–who are the professionals who pursue these outlaws. I think they too, are relentless. Those who fight "monsters" are also part of this collection because if they "... gaze long enough into the abyss, the abyss gazes back on them." (1) I believe the manhunters' work causes to them profound harm. They become as injured (sometimes, with post-traumatic stress disorder, PTSD) as those they pursue, only different.

My work in this collection isn't an apology for crime, it's my interpretation of the criminal phenomenon.

1 The above quote is a freedom I have allowed myself to use in this context. It's from Friedrich Nietzsche, as we may know. It's also used by Robert Ressler (1937-2013, US), an FBI agent that coined the term "serial killer" during the 1970s.

My Art Initial Resources & Art Techniques

As an artist, the resources I have in hand to create a piece are the public domain official mug shots of the US police department, which are the front and profile views of these men.

The tools I use are clay sculpting, silicone, plaster and cement (to make the casting), oil painting, charcoal, acrylics, digital painting, colored pencils, ink, paper or canvas, etc.

An interesting work using mixed mediums is one I recently created, Inmate No. 7, where I portray my interpretation of an inmate in two different mediums: a painting (oil and acrylic on canvas) and a physical sculpture (plasticine, clay, plaster, cement, and acrylic paint). I present these two artworks as a unit. This to provoke a speech, a certain interaction between both works.

My Art for Sale

Payments through PayPal, credit or debit card, wire transfer.

ORIGINAL PAINTINGS. Send me an email if you’re interested in acquiring any original painting.

INTERVENED PRINTS BY THE ARTIST. I apply acrylic brush strokes (with no structural changes) on the print, as well as adding my original signature. In this way, the piece becomes unique (like an original) and increases its commercial value (your art investment). ---I only make a series of intervened prints of any work: 10. ---Max. size: 35 inches wide by tall.---I will deliver the print with its Certification of Authenticity (COA), and protected with non-acid wax paper, rolled and packed in a wooden crate.---Ask me for a quote through an email

FEATURED PRODUCTS. If you’re interested in having a poster, mugs, T-shirts, printed pint glasses, etc. of any artwork, please, visit my ART SHOP.

Other activity: Online Art Instruction

I’m an online art instructor for company groups–to reduce stress and enrich their lives using MINDFULNESS–and individuals. You'll find the course's characteristics at Online Art Course.

I teach in traditional or digital techniques: portraits, human and animal body at rest and in movement, landscapes, still life, etc.

Your Comments

If you have any comments or questions please send me an email. I'll be happy to answer you ASP.

My Social Media

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Youtube: Veronica Fine Art

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Twitter: HuacujaVeronica

Facebook: veronicahuacuja

email: art@veronica

Thank you for visiting and reading about this collection: The Relentless.