I made up this work after reading Leonora’s story, ”Cuando iban por el lindero” or "When they were on the edge". — *Leonora 1. Homage to Leonora Carrington*
*Acrylic on paper*
*25 x 25 x 0.1 cm*
*2022*
*Collection: Women*
*Diptych*

This is an homage I make to a young woman, an anonymous migrant. — *Jane Doe. Sonoran Desert, Arizona. Diptych*
*Acrylic on canvas*
*120 x 80 x 2 cm*
*2022*
*Collection: Women*
*Intervened prints*

The artwork displays an unknown female–in a waxy posture–being in a garden of an asylum. I based this artwork on various screenshots from a true public documentary. — *In the Asylum 4*
*Digital Painting*
*Proportion: 27 x 16 cm*
*2021*
*Collection: Women*
*Intervened prints*
*Visit my Art Store*

Portrait of a woman. — *Woman 12*
*Acrylic on paper*
*61 x 48.3 x 0.1 cm*
*2022*
*Collection: Women*

I conceived this work while reading “Profilers: Leading Investigators Take you Inside the Criminal Mind” by Campbell, John H. (John Henry); DeNevi, Don (2004). I made the piece with deep respect for the woman involved in one the cases. Another thing, my work isn’t an apology for crime. It’s just my interpretation of a phenomenon. — *Posed Body 3*
*Acrylic on paper*
*35.7 x 23.2 x 0.1 cm*
*2022*
*Collection: Women*

I created this artwork after reading about Eva Perón’s afterlife. Her embalmed corpse has a lengthy story. In one of its transcontinental trips, the coffin fell down and the nose broke. This detail inspired me to create the artwork of an anonymous woman with a broken nose. — *Head Study 45*
*Oil and acrylic on paper*
*40 x 35 x 0.1 cm*
*2018*
*Collection: Women*
*Intervened prints*
*Visit my ART SHOP*
*Post*

Since I began studying the life and oeuvre of this young art photographer, Lene Marie Fossen (1986-2019, Norway), I knew I had to paint her. This artist suffered from anorexia and chose to make self portraits. The environment where she made up her work is a deserted 14th century leprosarium in Chios, Greece. I made this work with deep respect and admiration towards this woman and artist. — *In The Leprosarium 9. Homage to Lene Marie Fossen*
*Digital Painting*
*Proportion: 21 x 27 cm*
*2021*
*Collection: Women*

Sometimes, the results of the work itself inspires me to make a poetic dissertation. This painting is one of those cases. "This is Evangelina in two different moments. Just as if to whisper twice, simultaneously: Evangelina-Evangelina. Or else, these are Evangelina’s inner landscapes displaying her frantic beauty. — *Evangelina’s Dipthyc*
*Oil on paper*
*50 x 53.8 x 0.1 cm*
*2020*
*Collection: Women*

This portrait is an homage for the women that lost their lives in the hands of Jack the Ripper a couple of centuries ago. Their names, as we all know, are Mary Ann Nichols, Annie Chapman, Elizabeth Stride, Catherine Eddowes, and Mary Jane Kelly. Since I began this artwork, I wanted to portray the troubled life and tragic deaths of these unknown (at the time) women. I created this artwork with deep respect towards them. — *A Whitechapel’s Woman*
*Oil on paper*
*33 x 28 x 0.1 cm*
*2020*
*Collection: Women*
*Post*

Woman's portrait — *Woman 15*
*Acrylic on paper and digital painting*
*Proportion: 8 x 10.6 in*
*2022*
*Collection: Women*

I based this artwork on a screenshot from a true crime documentary. This with deep respect for the implicated ypung woman. I need to say that I took the idea of the subtitle of the work–“Another Angel in the Crowd”– from one verse of a song of the English rock group, Dire Straits, “Wild West End”. Reality works like in slumbers, it overlaps. Doesn't it? — *Crime Scene 7. Another Angel in the Crowd*
*Digital painting*
*Proportion: 27 x 21 cm*
*2020*
*Collection: Women*
*Post*

This artist suffered from anorexia and chose to make self portraits. The environment where she made up her work is a deserted 14th century leprosarium in Chios, Greece. — *In The Leprosarium 7. Homage to Lene Marie Fossen*
*Digital Painting*
*Proportion: 27 x 16 cm*
2021
*Collection: Women*
*Original painting or intervened prints*
*Visit my Art Store*

This is a tribute to Mary Jane Kelly, the last woman of the five canonical victims. As an artist, what amazed me, among so many other things, is the tireless fury of her perpetrator: Jack The Ripper. — *When Jack Had Time. Tribute To Mary Jane Kelly*
*Acrylic on canvas*
*80 x 60 x 2.5 cm*
*2021*
*Collection: Women*
*Intervened prints*
*Visit my ART SHOP*
*Post*

Portrait Artwork. Just like in dreams reality overlaps experiences. This artwork responds to this phenomenon: the reading of a story of Yourcenar, — *Bicephalous Study 5*
*Ink on paper*
*30 x 21 x 0.1 cm*
*2020*
*Collection:Women*

The drive that a character has in a true crime documentary inspired me to create this artwork. So, the artwork's title, the character's gesture and mood, the special use of light on its face, the close-up format and the palette make up the atmosphere of the work. — *The Informant 4*
*Oil on paper*
*32 x 25 x 0.1 cm*
*2020*
*Collection: Women*

As a creator, I’m interested in human nature and what triggers a specific social behavior. I based this portrait on a mugshot of an unknown female inmate. The astonishment of the woman’s expression provoked me to make up the work. — *Head Study 68*
*Oil on paper*
*35.5 x 43.1 x 0.1 cm*
*2018*
*Collection: Women*

As a creator, I’ve always been concerned with abnormality and its effects in human life. To create this work, I read and watched testimonials of persons united in the same body (some even were twins) living “intersected lives”, such as the admirable story of Abby and Brittany Hensel and many others. I created this work with deep respect for these people. — *Bicephalous Lina and Alexandra 5*
*Digital Painting*
*2020*
*Collection: Women*

The influences of artists upon other artists. This time, I based this artwork on an Edward Weston’s photograph of the Italian photographer, Tina Modotti, "Tina Reciting". — *Study of a Portrait 26*
*Ink on paper*
*32 x 24 x 0.1 cm*
*2005*
*Collection: Women*
*Post*

The artwork displays an unknown female in the hallways of an asylum. I based this work on various screenshots from a true public documentary. — *Woman in an Asylum 5*
*Digital Painting*
*2021*
*Collection: Women*

Just like in dreams, reality overlaps experiences. This artwork responds to this phenomenon: the reading of a story of Yourcenar and the news of the tragic and obscene killing of a woman. I invite you to watch the artwork's procedure at https://www.instagram.com/p/B-Nl01ZHfYN/ — *Blue or Marguerite Study 3*
*Ink on paper*
*27 x 21 x 0.1 cm*
*2020*
*Collection: Women*

The artwork is of an unknown female taking a sunbath in the garden of an asylum. I based this artwork on various screenshots from a true public documentary. — *In the Asylum 3*
*Digital Painting*
*2021*
*Collection: Women*

I based the artwork on an image of a true forensic documentary. This with deep respect for the woman I portrayed. — *And We Loved Each Other So Much, Study 7*
*Acrylic on paper*
*59 x 35 x 0.1 cm*
*2020*
*Collection: Women*

The title of the artwork intends to be polysemous. So, the verb intervene, to occur between two things or two actions or two states is what this work is about. — *The Intervention 14*
*Acrylic on paper*
*25 x 25 x 0.1 cm*
*2022*
*Collection: Women*

The work portrays an old woman with its so interesting beauty. — *Woman 20*
*Acrylic on paper*
*59 x 42 x 0.1 cm*
*2022*
*Collection: Women*
*Original painting or intervened prints*
*Visit my Art Store*

Women

Welcome to this collection.

What interests me as a creator is abnormality and its impact on human life. I make my work with deep respect towards the women on which I make my studies.

In this collection, I interpret and portray historical females; some renowned characters, others anonymous, but all of their biographies called my attention as an artist and as a woman. I treat most of these creations with drama. This means that, in every work, I try to grasp the character's frantic condition and beauty.

Art Techniques

The techniques I use are traditional (oil and acrylic, crayon, pencil, clay sculpting, etc.) and digital painting (digital tablet, Photoshop, 3D sculpture, etc.).

My Art for Sale

-ORIGINAL PAINTINGS. Send me an email if you’re interested in acquiring any original painting.

-INTERVENED PRINTS BY THE ARTIST. I apply acrylic brush strokes (with no structural changes) on the print, as well as adding my original signature. In this way, the piece becomes unique (like an original) and increases its commercial value (your art investment).Serial intervened prints: Only 10.Max. size: 35 inches wide by tall.I will deliver the print with its Certification of Authenticity (COA), and protected with non-acid wax paper, rolled and packed in a wooden crate.Ask me for a quote through an email

-FEATURED PRODUCTS. If you’re interested in having a canvas print, poster, mugs, T-shirts, pint glass, etc. of any artwork, please, visit https://teespring.com/veronicahuacuja

Other activity: Online Art Instruction

I’m an online art instructor for company groups–to reduce stress and enrich their lives using MINDFULNESS–and individuals. You'll find the course's characteristics at Online Art Course. Use Google Translate, if it's the case.

I teach in traditional or digital techniques: portraits, human and animal body at rest and in movement, landscapes, still life, etc.

Your Comments

If you have any comments or questions please send me an email. I'll be happy to answer you ASP.

My Social Media

Visit my ART SHOP

Youtube: Veronica Fine Art

Instagram: veronicahuacuja

Twitter: HuacujaVeronica

Facebook: veronicahuacuja

email: art@veronica

Thank you for visiting and reading this section: Collection: Women.