Sometimes, the results of the work itself inspires me to make a poetic dissertation. This painting is one of those cases. "This is Evangelina in two different moments. Just as if to whisper twice, simultaneously: Evangelina-Evangelina. Or else, these are Evangelina’s inner landscapes displaying her frantic beauty. — *Evangelina’s Dipthyc*
*Oil on paper*
*50 x 53.8 x 0.1 cm*
*2020*
*Collection: Women*

As a creator, I’ve always been concerned with abnormality and its effects in human life. To create this work, I read and watched testimonials of persons united in the same body (some even were twins) living “intersected lives”, such as the admirable story of Abby and Brittany Hensel and many others. I created this work with deep respect for these people. — *Bicephalous Lina and Alexandra 5*
*Digital Painting*
*2020*
*Collection: Women*

The artwork is of an unknown female taking a sunbath in the garden of an asylum. I based this artwork on various screenshots from a true public documentary. — *In the Asylum 3*
*Digital Painting*
*2021*
*Collection: Women*

The artwork displays an unknown female–in a waxy posture–being in a garden of an asylum. I based this artwork on various screenshots from a true public documentary. — *In the Asylum 4*
*Digital Painting*
*2021*
*Collection: Women*

The influences of artists upon other artists. This time, I based this artwork on an Edward Weston’s photograph of the Italian photographer, Tina Modotti, "Tina Reciting". — *Study of a Portrait 26*
*Ink on paper*
*32 x 24 x 0.1 cm*
*2005*
*Collection: Women*
*Post*

I based the artwork on an image of a true forensic documentary. This with deep respect for the woman I portrayed. — *And We Loved Each Other So Much, Study 7*
*Acrylic on paper*
*59 x 35 x 0.1 cm*
*2020*
*Collection: Women*

The artwork displays an unknown female in the hallways of an asylum. I based this work on various screenshots from a true public documentary. — *Woman in an Asylum 5*
*Digital Painting*
*2021*
*Collection: Women*

Since I began studying the life and oeuvre of this young art photographer, Lene Marie Fossen (1986-2019, Norway), I knew I had to paint her. This is an homage to her. As I’ve mentioned in some descriptions of my work, what interests me as a creator is abnormality. So sicknesses and its impact on human experience are one of my interests. I made this work with deep respect and admiration towards this woman and artist. — *In The Leprosarium 9. Homage to Lene Marie Fossen*
*Digital Painting*
*2021*
*Collection: Women*

I based this artwork on a screenshot from a true forensic documentary. This with deep respect for the implicated. As an artist, one of the things that calls my attention is the human experience after losing life, such as the physical changes the body suffers. And I add, the emotional states that a person must suffer during the lasts moments of its life. — *Crime Scene 7. Another Angel in the Crowd*
*Digital painting*
*2020*
*Collection: Women*

Portrait Artwork. Just like in dreams reality overlaps experiences. This artwork responds to this phenomenon: the reading of a story of Yourcenar, — *Bicephalous Study 5*
*Ink on paper*
*30 x 21 x 0.1 cm*
*2020*
*Collection:Women*

This is a tribute to Mary Jane Kelly, the last woman of the five canonical victims. As an artist, what amazed me, among so many other things, is the tireless fury of her perpetrator: Jack The Ripper. The original was interchanged by the beautiful and enigmatic Pierre Fudaryli's artwork, "Delta Entrópica". — *When Jack Had Time. Tribute To Mary Jane Kelly*
*Acrylic on canvas*
*80 x 60 x 2.5 cm*
*2021*
*Collection: Women*

I created this artwork after reading about Eva Perón’s afterlife, the First Lady of Argentina (1946-1952). As we all know, when she died, the Spanish pathologist, Dr. Pedro Ara, embalmed her body with magnificent success. Since then, she resembles just like the character of the children’s story, “Sleeping Beauty”, immersed in a deep, peaceful dream in a forever youthful body. Her embalmed corpse has a lengthy story. In one of its to and fro transcontinental trips from America to Europe, her coffin fell down and her nose broke. This detail inspired me to create the artwork of an unknown female with a broken nose. — *Head Study 45*
*Oil and acrylic on paper*
*40 x 35 x 0.1 cm*
*2018*
*Collection: Women*

This portrait is an homage for the women that lost their lives in the hands of Jack the Ripper a couple of centuries ago. Their names, as we all know, are Mary Ann Nichols, Annie Chapman, Elizabeth Stride, Catherine Eddowes, and Mary Jane Kelly. Since I began this artwork, I wanted to portray the troubled life and tragic deaths of these unknown (at the time) women. I created this artwork with deep respect towards them. — *A Whitechapel’s Woman*
*Oil on paper*
*11 x 13 x 0.1 in*
*2020*
*Collection: Women*

As a creator, I'm interested in human nature and what triggers an specific social behavior. I based this portrait on a mugshot of an unknown female inmate. The astonishment of the woman's expression provoked me to make up the work. — *Head Study 68*
*Oil on paper*
*35.5 x 43.1 x 0.1 cm*
*2018*
*Collection: Women*

Since I began studying the life and oeuvre of this young art photographer, Lene Marie Fossen (1986-2019, Norway), I knew I had to paint her. So this is an homage to her. As I’ve mentioned in some descriptions of my work, what interests me as a creator is abnormality. So the sicknesses and its impact on human experience are one of my interests. I made this work with deep respect and admiration towards this woman and artist. — *In The Leprosarium 7. Homage to Lene Marie Fossen*
*Digital Painting*
2021
*Collection: Women*

Just like in dreams, reality overlaps experiences. This artwork responds to this phenomenon: the reading of a story of Yourcenar and the news of the tragic and obscene killing of a woman. I invite you to watch the artwork's procedure at https://www.instagram.com/p/B-Nl01ZHfYN/ — *Blue or Marguerite Study 3*
*Ink on paper*
*27 x 21 x 0.1 cm*
*2020*
*Collection: Women*

The drive that a character has in a true crime documentary inspired me to create this artwork. So, the artwork's title, the character's gesture and mood, the special use of light on its face, the close-up format and the palette make up the atmosphere of the work. — *The Informant 4*
*Oil on paper*
*32 x 25 x 0.1 cm*
*2020*
*Collection: Women*

Collection: Women

Welcome to this collection.

What interests me as a creator is abnormality and its impact on human life. I make my work with deep respect towards the women on which I make my studies.

In this collection, I interpret and portray historical females; some renowned characters, others anonymous, but all of their biographies called my attention as an artist and as a woman. I treat most of these creations with drama. This means that, in every work, I try to grasp the character's frantic condition.

My Art Initial Resources

As an artist, I use all the resources I have in hand to create a piece. Some of the following tools are: physical models, digital photography, video stills, radiology images, clay and 3D (digital) sculptures (done by me), digital deformation (using Photoshop), and traditional techniques (oil, acrylic, water colouring, etc.). Sometimes, I mix these two techniques–traditional and digital–with very interesting results, such as in "The Deaf Man 7". In other words, almost any media is an initial resource to paint a portrait!

Art Techniques

The techniques I use are traditional (oil and acrylic, crayon, pencil, clay sculpting, etc.) and digital painting (digital tablet, Photoshop, 3D sculpture, etc.).

My Art for Sale (Payments only through PayPal)

ORIGINAL PAINTINGS. Send me an email if you’re interested in acquiring any original painting or visit:

https://sala-marte.com/collections/veronica-huacuja/

saatchiart.com/huacujaveronica

INTERVENED PRINTS BY THE ARTIST. I apply acrylic brush strokes (with no structural changes) on the print, as well as adding my original signature. In this way, the piece becomes unique (like an original) and increases its commercial value (your art investment).
Serial intervened prints: Only 10.
Max. size: 33.5-W or H x 0.1-Inch.
I will deliver the print with its Certification of Authenticity (COA), and protected with wax non-acid paper, rolled and packed in a wooden crate.
Ask me for a quote through an email

REGULAR PRINTS. If you’re interested in regular prints, send me an email.

Other activity: Online Art Instruction

I’m an online art instructor for company groups–to reduce stress and enrich their lives using MINDFULNESS–and individuals. So, for those interested, head over to patreon.com/veronicahuacuja or contact me through art@veronica.mx

I teach in traditional and digital techniques.

I invite you too to read “Why Become my Patron" (first button on the right).

Your Comments

If you have any comments or questions please send me an email. I'll be happy to answer ASP.

My Social Media

Instagram: veronicahuacuja

Twitter: HuacujaVeronica

Facebook: veronicahuacuja

Youtube: Veronica Fine Art

email: art@veronica

Thank you for visiting and reading this section: Collection: "Women".