I made up this work after reading Leonora Carrington's story, "When they were on the edge". — *Leonora 1. Homage to Leonora Carrington*
*Acrylic on paper*
*25 x 25 x 0.1 cm*
*2022*
*Collection: Women*
*Original Painting*
*Art Shop*
*Diptych*

This is an homage I make to a young woman, an anonymous migrant. — *Woman 18. Study For A Portrait*
*Ink on Paper*
*28 x 21.5 x 0.1 cm*
*2022*
*Collection: Women*
*Original Drawing (+ delivery)*
*Art Shop*

In this piece, I searched to create an unusual poetic image. The work shows an unknown woman, in a “waxy” posture, in a garden of a psychiatric asylum. This piece was based on several screenshots from a public medical video documentary from the early 1900s. — *In the Asylum 4*
*Digital Art*
*8,336 x 5000 px, 300 dpi*
*2021*
*Collection: Women*
*Original Digital Art*
*Art Shop*

I attend to art workshops where physical models pose to us, the attendees. On most occasions, I ask myself what would the mindset of the model might be. I try to decipher it while working. This personal dissertation, whether or not is real, helps me to make up my work. — *Woman 12*
*Acrylic on paper*
*61 x 48.3 x 0.1 cm*
*2022*
*Collection: Women*
*Original Painting*
*Art Shop*

I conceived this work while reading “Profilers: Leading Investigators Take you Inside the Criminal Mind” by Campbell, John H. (John Henry); DeNevi, Don (2004). I made the piece with deep respect for the woman involved in one the cases. Another thing, my work isn’t an apology for crime. It’s just my interpretation of a phenomenon. — *Posed Body 3*
*Acrylic on paper*
*35.7 x 23.2 x 0.1 cm*
*2022*
*Collection: Women*

One of my art interests is to paint women, and capturing their beauty. In every work, I try hard to interpret their corporal expression, their emotional state. — *Woman 6*
*Acrylic on paper*
*61 x 48.3 x 0.1 cm*
*2021*
*Collection: Women*
*Original Painting*
*Art Shop*
*Art Blog*

“Head Study 45” results after reading about Eva Perón’s (1919-1952, Argentina) afterlife, the First Lady of Argentina (1946-1952). — *Head Study 45*
*Oil and acrylic on paper*
*40 x 35 x 0.1 cm*
*2018*
*Collection: Women*
*Original Painting*
*Art Shop*
*Art Blog*

Since I began studying the life and oeuvre of this young art photographer, Lene Marie Fossen (1986-2019, Norway), I knew I had to paint her. This artist suffered from anorexia and chose to make self portraits. The environment where she made up her work is a deserted 14th century leprosarium in Chios, Greece. I made this work with deep respect and admiration towards this woman and artist. — *In The Leprosarium 9. Homage to Lene Marie Fossen*
*Digital Painting*
*Proportion: 21 x 27 cm*
*2021*
*Collection: Women*

I assist in art workshops where diverse women pose for us, the attendees. Every time I paint or sketch the model’s body, I try to unravel what’s her state of mind. This intimate personal exercise, regardless of its results, helps me to accomplish my work. — *Woman 5*
*Acrylic on canvas*
*100 x 60 x 2.5 cm*
*2021*
*Collection: Women*
*Original Painting*
*Art Shop*

Sometimes, the results of the work itself inspires me to make a poetic dissertation. This painting is one of these cases. — *Evangelina’s Diptych*
*Oil on paper*
*50 x 53.8 x 0.1 cm*
*2020*
*Collection: Women*
*Original Painting*
*Art Shop*

Frequently, I attend drawing workshops. While making the artwork, I always wonder and try to decipher what’s the emotional state of the woman that poses to us. — *Woman 9 or Elena*
*Acrylic on paper*
*61 x 48.3 x 0.1 cm*
*2021*
*Collection: Women*
*Original Painting*
*Art Shop*

This portrait is an homage for the women that lost their lives in the hands of Jack the Ripper a couple of centuries ago. Their names, as we all know, are Mary Ann Nichols, Annie Chapman, Elizabeth Stride, Catherine Eddowes, and Mary Jane Kelly. Since I began this artwork, I wanted to portray the troubled life and tragic deaths of these unknown (at the time) women. I created this artwork with deep respect towards them. — *A Whitechapel’s Woman*
*Oil on paper*
*33 x 28 x 0.1 cm*
*2020*
*Collection: Women*
*Post*

This work has a particular technical treatment. I began painting it with traditional techniques–acrylics–and ended up the work using digital painting. In this latter environment, I tried to emulate the acrylic opaque strokes using thick brushes. — *Woman 15*
*Digital Art*
*7,500 x 10,000 px, 300 dpi*
*2022*
*Collection: Women*
*Original Digital Art*
*Art Shop*

I based this artwork on a screenshot from a true crime documentary. This with deep respect for the implicated young woman. — *Crime Scene 7. Another Angel in the Crowd*
*Digital Art*
*7,000 x 5,444 px, 300 dpi*
*2020*
*Collection: Women*
*Original Digital Art*
*Art Shop*
*Art Post*

As I’ve said in some other posts, I assist at workshops, where diverse women pose to us, the attendees. In this piece, I tried hard to unravel the woman’s demeanor, her state of mind, her mood. — *Woman 10*
*Acrylic on canvas*
*61 x 48.3 x 0.1 cm*
*2022*
*Collection: Women*
*Original Painting*
*Art Shop*
*Art Blog*

This is an homage I make to Lene Marie Fossen (1986-2019, Norway), a young art photographer. When I studied her life and oeuvre, I knew I had to paint her. — *In The Leprosarium 7. Homage to Lene Marie Fossen*
*Digital Art*
*14,000 x 8,466 px, 300 dpi*
*2021*
*Collection: Women*
*Original Digital Art*
*Art Shop*

This is a tribute to Mary Jane Kelly, the last woman of the five canonical victims. As an artist, what amazed me, among so many other things, is the tireless fury of her perpetrator: Jack The Ripper. — *When Jack Had Time. Tribute To Mary Jane Kelly*
*Acrylic on canvas*
*80 x 60 x 2.5 cm*
*2021*
*Collection: Women*
*Art Shop*
*Art Blog*

I explore different ways to conceive a human body, where deformity is a constant and important element. I seek to capture a deranged beauty with polysemous (different) meanings. — *Woman 26*
*Acrylic on paper*
*80 x 60 x 2.5 cm*
*2022*
*Collection: Women*
*Original Painting*
*Art Shop*

The drive that a character has in a true crime documentary inspired me to create this artwork. So, the artwork's title, the character's gesture and mood, the special use of light on its face, the close-up format and the palette make up the atmosphere of the work. — *The Informant 4*
*Oil on paper*
*32 x 25 x 0.1 cm*
*2020*
*Collection: Women*

As a creator, I’m interested in human nature and what triggers a specific social behavior. I based this portrait on a mugshot of an unknown female inmate. The astonishment of the woman’s expression provoked me to make up the work. — *Head Study 68*
*Oil on paper*
*35.5 x 43.1 x 0.1 cm*
*2018*
*Collection: Women*

The artwork displays an unknown female in the hallways of an asylum. I based this work on various screenshots from a true public documentary. — *Woman in Yellow 10*
*Digital Painting*
*7,716 x 6,000 px, 300 dpi*
*2022*
*Collection: Women*
*Original Digital Art*
*Visit my Art Store*

The influences of artists upon other artists. This time, I based this artwork on an Edward Weston’s photograph of the Italian photographer, Tina Modotti, "Tina Reciting". — *Study of a Portrait 26*
*Ink on paper*
*32 x 24 x 0.1 cm*
*2005*
*Collection: Women*
*Post*

Just like in dreams, reality overlaps experiences. This artwork responds to this phenomenon: the reading of a story of Yourcenar and the news of the tragic and obscene killing of a woman. I invite you to watch the artwork's procedure at https://www.instagram.com/p/B-Nl01ZHfYN/ — *Blue or Marguerite Study 3*
*Ink on paper*
*27 x 21 x 0.1 cm*
*2020*
*Collection: Women*

The artwork is of an unknown female taking a sunbath in the garden of an asylum. I based this artwork on various screenshots from a true public documentary. — *In the Asylum 3*
*Digital Painting*
*2021*
*Collection: Women*

Woman's portrait. — *Woman 14*
*Acrylic on paper*
*59 x 42 x 0.1 cm*
*2022*
*Collection: Women*

I based the artwork on an image of a true forensic documentary. This with deep respect for the woman I portrayed. — *And We Loved Each Other So Much, Study 7*
*Acrylic on paper*
*59 x 35 x 0.1 cm*
*2020*
*Collection: Women*

The title of the artwork intends to be polysemous. So, the verb intervene, to occur between two things or two actions or two states is what this work is about. — *The Intervention 14*
*Acrylic on paper*
*25 x 25 x 0.1 cm*
*2022*
*Collection: Women*

As a creator, I’ve always been concerned with abnormality and its effects in human life. To create this work, I read and watched testimonials of persons united in the same body (some even were twins) living “intersected lives”, such as the admirable story of Abby and Brittany Hensel and many others. I created this work with deep respect for these people. — *Bicephalous Lina and Alexandra 5*
*Digital Painting*
*2020*
*Collection: Women*

The work portrays an old woman with its so interesting beauty. — *Woman 20*
*Acrylic on paper*
*59 x 42 x 0.1 cm*
*2022*
*Collection: Women*
*Original Painting*
*My Art Store*

Portrait Artwork. Just like in dreams reality overlaps experiences. This artwork responds to this phenomenon: the reading of a story of Yourcenar, — *Bicephalous Study 5*
*Ink on paper*
*30 x 21 x 0.1 cm*
*2020*
*Collection:Women*

Women

Welcome to this collection.

What interests me as a creator is abnormality and its impact on human life. I make my work with deep respect towards the women on which I make my studies.

In this collection, I interpret and portray historical females; some renowned characters, others anonymous, but all of their biographies called my attention as an artist and as a woman. I treat most of these creations with drama. This means that, in every work, I try to grasp the character's frantic condition and beauty.

Art Techniques

The techniques I use are traditional (oil and acrylic, crayon, pencil, clay sculpting, etc.) and digital painting (digital tablet, Photoshop, 3D sculpture, etc.).

My Art for Sale

-ORIGINAL PAINTINGS. Send me an email if you’re interested in acquiring any original painting.

-INTERVENED PRINTS BY THE ARTIST. I apply acrylic brush strokes (with no structural changes) on the print, as well as adding my original signature. In this way, the piece becomes unique (like an original) and increases its commercial value (your art investment).Serial intervened prints: Only 10.Max. size: 35 inches wide by tall.I will deliver the print with its Certification of Authenticity (COA), and protected with non-acid wax paper, rolled and packed in a wooden crate.Ask me for a quote through an email

-FEATURED PRODUCTS. If you’re interested in having a canvas print, poster, mugs, T-shirts, pint glass, etc. of any artwork, please, visit my ART SHOP.

Other activity: Online Art Instruction

I’m an online art instructor for company groups–to reduce stress and enrich their lives using MINDFULNESS–and individuals. You'll find the course's characteristics at Online Art Course, where I teach in traditional or digital techniques.

Your Comments

If you have any comments or questions please send me an email. I'll be happy to answer you ASP.

My Social Media

Visit my ART SHOP, Featured products

Instagram: veronicahuacuja

Youtube: Veronica Fine Art

Instagram: veronicahuacuja

Twitter: HuacujaVeronica

Facebook: veronicahuacuja

email: art@veronica

Thank you for visiting and reading this section: Collection: Women.